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<channel rdf:about="http://www.v2.nl/archive/organizations/aggregator/RSS">
  <title>Organizations</title>
  <link>http://www.v2.nl</link>

  <description>
    
      
    
  </description>

  

  
            <syn:updatePeriod>daily</syn:updatePeriod>
            <syn:updateFrequency>1</syn:updateFrequency>
            <syn:updateBase>2009-05-11T13:09:36Z</syn:updateBase>
        

  <image rdf:resource="http://www.v2.nl/logo.png"/>

  <items>
    <rdf:Seq>
      
        <rdf:li rdf:resource="http://www.v2.nl/archive/organizations/5voltcore"/>
      
      
        <rdf:li rdf:resource="http://www.v2.nl/archive/organizations/fur"/>
      
      
        <rdf:li rdf:resource="http://www.v2.nl/archive/organizations/exonemo"/>
      
      
        <rdf:li rdf:resource="http://www.v2.nl/archive/organizations/code31"/>
      
      
        <rdf:li rdf:resource="http://www.v2.nl/archive/organizations/radian"/>
      
      
        <rdf:li rdf:resource="http://www.v2.nl/archive/organizations/astrobotnia"/>
      
      
        <rdf:li rdf:resource="http://www.v2.nl/archive/organizations/akhe-group"/>
      
      
        <rdf:li rdf:resource="http://www.v2.nl/archive/organizations/rastermusic"/>
      
      
        <rdf:li rdf:resource="http://www.v2.nl/archive/organizations/projekt-atol"/>
      
      
        <rdf:li rdf:resource="http://www.v2.nl/archive/organizations/vita"/>
      
      
        <rdf:li rdf:resource="http://www.v2.nl/archive/organizations/westerplatte"/>
      
      
        <rdf:li rdf:resource="http://www.v2.nl/archive/organizations/survival-research-laboratories"/>
      
      
        <rdf:li rdf:resource="http://www.v2.nl/archive/organizations/stealth.unlimited"/>
      
      
        <rdf:li rdf:resource="http://www.v2.nl/archive/organizations/eastwood"/>
      
      
        <rdf:li rdf:resource="http://www.v2.nl/archive/organizations/mongrel"/>
      
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  <item rdf:about="http://www.v2.nl/archive/organizations/5voltcore">
    <title>5VOLTCORE</title>
    <link>http://www.v2.nl/archive/organizations/5voltcore</link>
    <description>Austrian 5VOLTCORE is an artist collective formed by Christian Gützer and Emanuel Andel.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[
<p>5VOLTCORE creates works that deal with the behaviour of closed and formal systems and their manipulation. Their work was shown at various festivals from Madrid to Tokyo. They were winners of the transmediale award 2005.</p>
<p><a class="external-link" href="http://5voltcore.com/typolight/typolight257/index.php/output.html">http://5voltcore.com/</a></p>
]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>admin</dc:creator>
    <dc:rights>This information is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.</dc:rights>
    
      <dc:subject>2007</dc:subject>
    
    
      <dc:subject>DEAF07</dc:subject>
    
    
      <dc:subject>artist</dc:subject>
    
    
      <dc:subject>artist_collective</dc:subject>
    
    
      <dc:subject>collective</dc:subject>
    
    
      <dc:subject>deaf07</dc:subject>
    
    <dc:date>2012-02-08T09:07:58Z</dc:date>
    <dc:type>Organization</dc:type>
  </item>


  <item rdf:about="http://www.v2.nl/archive/organizations/fur">
    <title>//////////fur////</title>
    <link>http://www.v2.nl/archive/organizations/fur</link>
    <description>//////////fur//// stands for the re-staging of computer-entertainment based on multisensory .</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[
<p>//////////fur//// is an artist collective consisting of Roman Kirschner (until 2004), Tilman Reiff and Volker Morawe.</p>
<p>//////////fur//// - stands for the re-staging of computer-entertainment based on multisensory interfaces since 2001, and is developing interface solutions for art exhibitions, 
fairs and products.</p>
<p>&nbsp;</p>
]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>admin</dc:creator>
    <dc:rights>This information is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.</dc:rights>
    
      <dc:subject>2003</dc:subject>
    
    
      <dc:subject>DEAF03</dc:subject>
    
    
      <dc:subject>artist</dc:subject>
    
    
      <dc:subject>collective</dc:subject>
    
    
      <dc:subject>deaf03</dc:subject>
    
    
      <dc:subject>installation</dc:subject>
    
    
      <dc:subject>interface</dc:subject>
    
    
      <dc:subject>multisensory</dc:subject>
    
    <dc:date>2012-02-08T09:06:04Z</dc:date>
    <dc:type>Organization</dc:type>
  </item>


  <item rdf:about="http://www.v2.nl/archive/organizations/exonemo">
    <title>exonemo</title>
    <link>http://www.v2.nl/archive/organizations/exonemo</link>
    <description>exonemo is the net unit of Kensuke Sembo + Yae Akaiwa.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[
<p><a class="external-link" href="http://www.exonemo.com/">exonemo</a> started as an experimental net art unit by Kensuke Sembo + Yae Akaiwa in 1996. They produced many works including <em>KAO</em>, <em>BM394</em>, and <em>DISCODER</em>. In 1997, <em>KAO</em> was awarded the special award in eAT Kanazawa97, and the Grand Prix of expression category (organised by the Java Conference). In 1998, <em>BM394</em> was awarded during the Urbanart#7 competition (by Parco). <em>DISCODER</em>, produced for Shiseido's Net Gallery CyGnet in 1999, received an Honorary Mention of .net at Prix Ars Electronica 2000. <br /><br />From 2000, exonemo started producing work connected with installations, such as with the (installation version of) <em>DISCODER</em>, shown during the 'Exploding Cinema' at the Rotterdam Film Festival IFFR 2000, at Ars Electronica 2000 (Linz), Media Select 2000 (Nagoya) and in the first solo show at command N (Tokyo). <em>exonemo#003</em> in <em>Operation Spiral - Super Sign Project </em>(Spiral, Tokyo) at MediaSelect 2000 (Nagoya).</p>
<p><a class="external-link" href="http://www.exonemo.com">http://www.exonemo.com</a></p>
]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>admin</dc:creator>
    <dc:rights>This information is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.</dc:rights>
    
      <dc:subject>2000</dc:subject>
    
    
      <dc:subject>2007</dc:subject>
    
    
      <dc:subject>DEAF07</dc:subject>
    
    
      <dc:subject>collective</dc:subject>
    
    
      <dc:subject>deaf00</dc:subject>
    
    
      <dc:subject>migratedV1</dc:subject>
    
    <dc:date>2012-02-07T15:15:00Z</dc:date>
    <dc:type>Organization</dc:type>
  </item>


  <item rdf:about="http://www.v2.nl/archive/organizations/code31">
    <title>Code31</title>
    <link>http://www.v2.nl/archive/organizations/code31</link>
    <description>Code31 doesn't exist anymore, -- actually Code31 was never meant to be a collective.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[
<p>Code31 was a Belgian-based open studio for research, development and discussion about techniques and methodologies in media art. It stimulated interchange between artistic disciplines and serves as the space to experiment with new technologies. Code31 gathers artists and engineers. The core members were Gert Aertsen, Hendrik Leper and Isjtar.</p>
]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>admin</dc:creator>
    <dc:rights>This information is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.</dc:rights>
    
      <dc:subject>2007</dc:subject>
    
    
      <dc:subject>DEAF07</dc:subject>
    
    
      <dc:subject>artist</dc:subject>
    
    
      <dc:subject>artist_collective</dc:subject>
    
    
      <dc:subject>deaf07</dc:subject>
    
    
      <dc:subject>hacker</dc:subject>
    
    
      <dc:subject>programmer</dc:subject>
    
    <dc:date>2012-02-07T12:04:31Z</dc:date>
    <dc:type>Organization</dc:type>
  </item>


  <item rdf:about="http://www.v2.nl/archive/organizations/radian">
    <title>Radian</title>
    <link>http://www.v2.nl/archive/organizations/radian</link>
    <description>Radian is a collective. </description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[
<p><br />Radian is a combo that resolves the conflict between electronics and
  'instruments' in a completely fresh tone colour. Radian improvises, 
structures, and surprises with bass, drums and digital and analog 
synthesizers. Their live performance will be enhanced by the visuals of 
Dariusz Krzeczek.</p>
<p><a class="external-link" href="http://www.radian.at/">http://www.radian.at/</a><br /><a class="external-link" href="http://www.myspace.com/radianvienna">http://www.myspace.com/radianvienna</a></p>
<p>---</p>
<p>Radian is een combo waarin het conflict tussen electronica en 'instrumenten' voor een totaal nieuw klankkleur zorgt. Radian improviseert, structureert en verrast met bas, drums en digitale en analoge synthesizers. Dit collectief wordt bijgestaan door Dariusz Krzeczek, die de visuals onder zijn hoede neemt.<br /><br /></p>
]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>admin</dc:creator>
    <dc:rights>This information is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.</dc:rights>
    
      <dc:subject>2003</dc:subject>
    
    
      <dc:subject>DEAF03</dc:subject>
    
    
      <dc:subject>collective</dc:subject>
    
    
      <dc:subject>deaf03</dc:subject>
    
    
      <dc:subject>dot-nu</dc:subject>
    
    <dc:date>2012-02-06T15:29:45Z</dc:date>
    <dc:type>Organization</dc:type>
  </item>


  <item rdf:about="http://www.v2.nl/archive/organizations/astrobotnia">
    <title>Astrobotnia</title>
    <link>http://www.v2.nl/archive/organizations/astrobotnia</link>
    <description>Astrobotnia is a collective. </description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[
<p>Completely in line with, but surprisingly not being a 'real' Aphex Twin, Astrobotnia's music is filled with drill-tempo beats, curious  melodic lines and hazy, rarefied electronics. Astrobotnia (=Aleksi Perälä) also stands for the broken drill and bass-like Ovuca.</p>
<p><a class="external-link" href="http://www.ovuca.com/">http://www.ovuca.com/</a></p>
]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>admin</dc:creator>
    <dc:rights>This information is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.</dc:rights>
    
      <dc:subject>2003</dc:subject>
    
    
      <dc:subject>DEAF03</dc:subject>
    
    
      <dc:subject>collective</dc:subject>
    
    
      <dc:subject>deaf03</dc:subject>
    
    <dc:date>2011-01-31T11:00:00Z</dc:date>
    <dc:type>Organization</dc:type>
  </item>


  <item rdf:about="http://www.v2.nl/archive/organizations/akhe-group">
    <title>AKHE Group</title>
    <link>http://www.v2.nl/archive/organizations/akhe-group</link>
    <description>AKHE Group is an experimental theater group from St. Petersburg: "Russian Engineering Theater." </description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[
<p>AKHE was founded in 1989 by three members of Boris Ponizovski Theatre 
"Yes - No" (Maksim Isaev, Pavel Semtchenko, Vadim Vasiliev). The group announced itself as independent (in style
 and form) and combined elements from performance, cinema and fine arts. The group consists of two to seven 
members, always including Maksim Isaev and Pavel
 Semtchenko.</p>
<p>From 1996 on, AHKE saw themselves more as a theater collective, starting with the performance <em>Cataloque of
 the Hero</em>. Since then, the group participates in 
theaters festivals worldwide. Its members work as artists, stage designers, film directors, and take 
part in public art events or collaborative theater projects with groups or theaters, such as 
Derevo (RUS/GER), Lantaaren (NL), Toihaus (A), Slava Polunin
 (RUS).&nbsp;</p>
<p>AKHE sees its interventions as 'Optical Theater' or 'Russian Engineering Theatre'. A such, AKHE
 considers itself an Operator in an (ideal scenic) Space with (ideal) Light and Sound; thus giving space, light and sound the function of a fully integrated element.</p>
<p><a class="external-link" href="http://www.akhe.ru/">http://www.akhe.ru/</a></p>
<p>&nbsp;</p>
<h3>Nederlands / Dutch text<br /></h3>
<p>AKHE is een collectief en een performance groep die zich met visuele kunst, video, performance en multi-media bezighoudt. Bestaande uit Maxim Isaev en Pavel Semchenko, zijn zij verbonden aan Gallery 21, mediakunst groep uit St Pietersburg.</p>
<p>Tentoonstellingen: 1992  Petrograd-Gallery, Hamburg; 1993  Young Art International Symposium, Gutersloh; 1994  Stubnitz, Humburg; 1995  Booki-Booki, Stedelijk Museum, Amsterdam; 1996  Kostja Suicid, Blaue Fabrik, Dresden; Performances: 1990-1996. Meerd dan 80 performances in St. Pietersburg, Moscow, Hamburg, Bonn, Dresden, Wien, Salzburg, Linz, Innsbruck, Seget, Erfurt, Helsinki.</p>
]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>admin</dc:creator>
    <dc:rights>This information is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.</dc:rights>
    
      <dc:subject>1997</dc:subject>
    
    
      <dc:subject>collective</dc:subject>
    
    
      <dc:subject>experimental</dc:subject>
    
    
      <dc:subject>performance</dc:subject>
    
    
      <dc:subject>theater</dc:subject>
    
    <dc:date>2011-12-20T15:15:00Z</dc:date>
    <dc:type>Organization</dc:type>
  </item>


  <item rdf:about="http://www.v2.nl/archive/organizations/rastermusic">
    <title>Rastermusic</title>
    <link>http://www.v2.nl/archive/organizations/rastermusic</link>
    <description>Rastermusic were Carsten Nicolai, Frank Bretschneider and Olaf Bender.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[
<p>Rastermusic was a German based collaborative electronic music label, founded by Olaf Bender and Frank Bretschneider
 in 1996. Their main interest was to release repetitive or minimal music
 with pop leanings. Their priority was to publish a series with a 
specific philosophy of music and sound composition.</p>
<p>Rastermusic has founded with Noton
 a sublabel, responsible for documentation of performances, and music
 for exhibitions. Noton's first artist was Carsten 
Nicolai from Chemnitz, who became its label manager.</p>
<p>see also the interview with <br /><a class="external-link" href="http://www.angbase.com/articles/raster.html">http://www.angbase.com/articles/raster.html</a></p>
]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>admin</dc:creator>
    <dc:rights>This information is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.</dc:rights>
    
      <dc:subject>1998</dc:subject>
    
    
      <dc:subject>Wiretap</dc:subject>
    
    
      <dc:subject>collective</dc:subject>
    
    
      <dc:subject>electronic</dc:subject>
    
    
      <dc:subject>minimal</dc:subject>
    
    
      <dc:subject>music</dc:subject>
    
    <dc:date>2011-12-19T18:42:00Z</dc:date>
    <dc:type>Organization</dc:type>
  </item>


  <item rdf:about="http://www.v2.nl/archive/organizations/projekt-atol">
    <title>Projekt Atol</title>
    <link>http://www.v2.nl/archive/organizations/projekt-atol</link>
    <description>Projekt Atol is a non-profit organisation. </description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[
<p>Zavod Projekt Atol is a non-profit organisation, founded in 1992 and officially registered in 1994 under Slovenian law. Their activities range from art production to scientific research and technology prototype development and production. <br />The technological arm of Projekt Atol, called PACT Systems (Projekt Atol Communication Technologies) was founded in 1995; the flight operations branch, Projekt Atol Flight Operations,  was founded in 1999. <br />Projekt Atol serves as the institutional, financial and logistics support or partner  for several  projects and initiatives.<br /><a class="external-link" href="http://makrolab.ljudmila.org/atol/"><br />http://makrolab.ljudmila.org/atol/</a></p>
]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>admin</dc:creator>
    <dc:rights>This information is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.</dc:rights>
    
      <dc:subject>1998</dc:subject>
    
    
      <dc:subject>2003</dc:subject>
    
    
      <dc:subject>Art&amp;D</dc:subject>
    
    
      <dc:subject>DEAF03</dc:subject>
    
    
      <dc:subject>Wiretap</dc:subject>
    
    
      <dc:subject>culture</dc:subject>
    
    <dc:date>2011-12-19T18:38:09Z</dc:date>
    <dc:type>Organization</dc:type>
  </item>


  <item rdf:about="http://www.v2.nl/archive/organizations/vita">
    <title>Vita</title>
    <link>http://www.v2.nl/archive/organizations/vita</link>
    <description>Vita is a solo project by Swedish musician Mikael Stavöstrand.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[
<p>Vita is a solo project by Swedish musician Mikael Stavöstrand. He produces a remarkable form of techno, also known as click-techno, in which tight but modest techno rhythms are combined with all sorts of digital disruptions.</p>
]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>admin</dc:creator>
    <dc:rights>This information is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.</dc:rights>
    
      <dc:subject>2002</dc:subject>
    
    
      <dc:subject>dot.nu</dc:subject>
    
    
      <dc:subject>music</dc:subject>
    
    
      <dc:subject>project</dc:subject>
    
    
      <dc:subject>techno</dc:subject>
    
    <dc:date>2011-12-19T12:58:29Z</dc:date>
    <dc:type>Organization</dc:type>
  </item>


  <item rdf:about="http://www.v2.nl/archive/organizations/westerplatte">
    <title>Westerplatte</title>
    <link>http://www.v2.nl/archive/organizations/westerplatte</link>
    <description>Westerplatte is the alias of Mateusz Herczka.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[
<p>Westerplatte is the alias of the versatile artist Mateusz Herczka. His live video work is characterized by what he himself has dubbed "data corruption". Over the past few years Mateusz Herczka has been working mainly in Stockholm, producing video for dance performances.</p>
]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>admin</dc:creator>
    <dc:rights>This information is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.</dc:rights>
    
      <dc:subject>2002</dc:subject>
    
    
      <dc:subject>artist</dc:subject>
    
    
      <dc:subject>dot.nu</dc:subject>
    
    
      <dc:subject>video</dc:subject>
    
    <dc:date>2011-12-19T10:15:00Z</dc:date>
    <dc:type>Organization</dc:type>
  </item>


  <item rdf:about="http://www.v2.nl/archive/organizations/survival-research-laboratories">
    <title>Survival Research Laboratories</title>
    <link>http://www.v2.nl/archive/organizations/survival-research-laboratories</link>
    <description>Survival Research Laboratories (SRL) is an artist and research collective.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[
<p>Survival Research Laboratories was conceived of and founded by Mark Pauline in November 1978. Since its inception SRL has operated as an organization of creative technicians dedicated to re-directing the techniques, tools, and tenets of industry, science, and the military away from their typical manifestations in practicality, product or warfare.</p>
<p>Since 1979, California-based SRL has staged over 45 mechanized presentations in the United States and Europe. Each performance consists of a unique set of ritualized interactions between machines, robots, and special effects devices, employed in developing themes of socio-political satire. Humans are present only as audience or operators.&nbsp;</p>
<p><a class="external-link" href="http://www.srl.org/">http://www.srl.org/</a></p>
]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>admin</dc:creator>
    <dc:rights>This information is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.</dc:rights>
    
      <dc:subject>1993</dc:subject>
    
    
      <dc:subject>1997</dc:subject>
    
    
      <dc:subject>Art&amp;D</dc:subject>
    
    
      <dc:subject>collective</dc:subject>
    
    
      <dc:subject>machine</dc:subject>
    
    
      <dc:subject>robotics</dc:subject>
    
    <dc:date>2011-12-14T15:44:03Z</dc:date>
    <dc:type>Organization</dc:type>
  </item>


  <item rdf:about="http://www.v2.nl/archive/organizations/stealth.unlimited">
    <title>STEALTH.unlimited</title>
    <link>http://www.v2.nl/archive/organizations/stealth.unlimited</link>
    <description>STEALTH.unlimited is an arts and urban development practice set up in 2000 by Ana Džokić and Marc Neelen.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[
<p><span class="Apple-style-span">
<p>STEALTH often uses participatory or knowledge creation mode based on the shifting perspectives of crossovers fields – visual culture, urban research, spatial intervention, cultural activism.</p>
<p>STEALTH shapes opportunities where various fields of investigation can meet and where thinking about possible future(s) of the city are mobilized. The focus is on innovative aspects of hidden, temporary or unplanned urban practices that challenge ways in which to create physical aspects of the city and of its culture.</p>
<p><a class="external-link" href="http://www.stealth.ultd.net/">http://www.stealth.ultd.net/</a></p>
<p><span class="Apple-style-span"><br /></span></p>
</span></p>
]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>admin</dc:creator>
    <dc:rights>This information is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.</dc:rights>
    
      <dc:subject>2001</dc:subject>
    
    
      <dc:subject>2005</dc:subject>
    
    
      <dc:subject>2007</dc:subject>
    
    
      <dc:subject>2008</dc:subject>
    
    
      <dc:subject>Test_Lab</dc:subject>
    
    
      <dc:subject>Wiretap</dc:subject>
    
    
      <dc:subject>art</dc:subject>
    
    
      <dc:subject>tangent</dc:subject>
    
    
      <dc:subject>urbanism</dc:subject>
    
    <dc:date>2009-11-28T12:30:00Z</dc:date>
    <dc:type>Organization</dc:type>
  </item>


  <item rdf:about="http://www.v2.nl/archive/organizations/eastwood">
    <title>Eastwood</title>
    <link>http://www.v2.nl/archive/organizations/eastwood</link>
    <description>Eastwood is a Serbian artist collective. </description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[
<p>Eastwood – Real Time Strategy Group was founded by Kristian Lukic and Vladan Joler in 2002. In their collaborative projects they create and use computer games as a tool for new visions of art and cultural practice.</p>
<p>Eastwood is a group dedicated to the research of relations between information technology and cultural practice. Eastwood establishes a platform for understanding of basic principles of information society and wider implications that a new social and class system is bringing.</p>
<p><a class="external-link" href="http://www.kuda.org/eastwood/index.htm">http://www.kuda.org/eastwood/index.htm</a></p>
]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>admin</dc:creator>
    <dc:rights>This information is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.</dc:rights>
    
      <dc:subject>2004</dc:subject>
    
    
      <dc:subject>DEAF04</dc:subject>
    
    
      <dc:subject>V2_ Publishing</dc:subject>
    
    
      <dc:subject>artist</dc:subject>
    
    
      <dc:subject>collaborative</dc:subject>
    
    
      <dc:subject>collective</dc:subject>
    
    
      <dc:subject>computer games</dc:subject>
    
    
      <dc:subject>culture</dc:subject>
    
    
      <dc:subject>information technology</dc:subject>
    
    
      <dc:subject>research</dc:subject>
    
    <dc:date>2010-12-03T08:55:00Z</dc:date>
    <dc:type>Organization</dc:type>
  </item>


  <item rdf:about="http://www.v2.nl/archive/organizations/mongrel">
    <title>Mongrel</title>
    <link>http://www.v2.nl/archive/organizations/mongrel</link>
    <description>Mongrel (1995-2008) were the combined socially engaged cultural practices and products of Richard-Pierre-Davis, Mervin Jarman, Graham Harwood and Matsuko Yokokoji.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[
<p>Mongrel is a mixed bunch of people and machines that make socially engaged cultural products employing any and all technological advantages they can lay their hands on. Part of their collaborative project is learning to program, engineer and build their own software and custom hardware. The core group are Matsuko Yokokoji, Richard Pierre-Davis and Graham Harwood.</p>
<p class="discreet">bio: 1998</p>
<p>Mongrel was founded in 1997 by Matsuko Yokokoji, Richard Pierre-Davis and Graham Harwood. Mongrel has created collaborative, socially engaged cultural products including <em>National Heritage</em> and the <em>Natural Selection</em> search engine to international acclaim. In 1999, Harwood/Mongrel received two national awards, The Clarks Digital Bursary and the Imaginaria Award from which emerged the software <em>Linker</em> - exhibited at the Institute of Contemporary Art and Watershed Bristol.</p>
<p><a class="external-link" href="http://www.mongrel.org.uk">http://www.mongrel.org.uk</a></p>
]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>admin</dc:creator>
    <dc:rights>This information is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.</dc:rights>
    
      <dc:subject>1998</dc:subject>
    
    
      <dc:subject>Wiretap</dc:subject>
    
    
      <dc:subject>coding</dc:subject>
    
    
      <dc:subject>collaborative</dc:subject>
    
    
      <dc:subject>collective</dc:subject>
    
    
      <dc:subject>cultural</dc:subject>
    
    <dc:date>2011-12-14T13:50:00Z</dc:date>
    <dc:type>Organization</dc:type>
  </item>





</rdf:RDF>

